London-based project Volcanic Shores returns with Sweet Sounds, a fresh, atmospheric EP released on November 10th, 2025. Expanding on their album Coconut Coffee, the new release leans into a drum-and-bass pulse while keeping the band’s signature cinematic chill intact. With standout contributions from vocalist Noya on the opening tracks and bassist Nick Mee on two instrumentals, the EP offers a textured, immersive listening experience.
Deeply shaped by London’s nightlife, Sweet Sounds nods to iconic venues like fabric and to influential DJs such as Andy C, LTJ Bukem, and newer voices like Nia Archives. Meanwhile, tracks like “Catch the Wave” and “Sitting About” draw from Khruangbin and Nightmares on Wax, blending laid-back grooves with atmospheric detail.
The EP stands out as a reimagining of one of the group’s most praised album tracks—reshaped for a more radio- and playlist-friendly format, while exploring new angles and remix potential. Recorded entirely in a London home studio, the project captures both the polish and intimacy of Volcanic Shores’ evolving sound.
As the band reflects, this release marks their second time incorporating a vocalist, bringing a more upbeat, club-leaning energy to their catalogue. Sweet Sounds is a testament to versatility, London influence, and the continuous reshaping of their sonic identity.
https://www.bandcamp.com/volcanicshores
https://www.instagram.com/volcanicshores
Behind the Warm, Nostalgic Glow of “Christmastime”
“Christmastime” is a holiday release built on memory, collaboration, and the quiet magic of coming home. Designed to capture the small-town warmth of Marquette winters, the song blends classic holiday tradition with a modern, cinematic touch. Longtime collaborator Liv Volpe—working with the artist for over seven years—shaped the mix with clarity and emotional depth, giving the track its polished yet intimate character.
The song draws from a wide constellation of influences: the storytelling of Elton John and Bruce Springsteen, the timeless warmth of Bing Crosby and Nat King Cole, and the contemporary narrative style of The Killers’ holiday catalog. These inspirations merge into a sound that feels nostalgic without losing its freshness, aiming to create a track that could sit comfortably beside both vintage standards and modern seasonal releases.
“Christmastime” was written during a period of transition and reflection, shaped by memories of the Upper Peninsula and a desire to reconnect with what truly anchors the holiday season—family, community, and simplicity. Recorded in the artist’s mother’s garage while searching for a home, the project carries a raw, unfiltered honesty. An unexpected illness during vocal sessions even added a natural grit that deepened the storytelling tone.
This release marks a meaningful return to releasing music under the artist’s own name, bringing together emotional storytelling, careful production, and years of artistic growth. As the artist reflects, “If the holidays are about finding light in dark places, then this record is my attempt at striking a match.”
Grounded, warm, and intentionally crafted, “Christmastime” offers listeners a rare kind of holiday comfort—something familiar yet undeniably human.
