Radiohead Partners with Openstage to Revolutionize Concert Ticketing
In a groundbreaking move to combat ticket scalping for their upcoming winter tour, Radiohead has teamed up with fan-data and marketing firm Openstage. This collaboration is set to redefine the ticketing landscape across the band’s 20-concert tour, emphasizing a fan-first approach. Openstage CEO Rob Sealy announced the partnership, highlighting the band’s control over fan data collection and management. “They have decided what fan data is being collected. They will retain control of the fan data,” Sealy stated, underscoring Radiohead’s commitment to ensuring authentic fan experiences. This initiative not only empowers Radiohead to identify genuine fans but also allows them to decide ticket access. Building on its success with artists like Bad Bunny and Oasis, Openstage has positioned itself as a leader in secure and transparent ticketing solutions. By working with iconic acts such as Radiohead, the firm solidifies its reputation for facilitating effective fan engagement. This partnership exemplifies a growing industry trend towards prioritizing authentic connections between artists and fans, setting a precedent in digital ticketing.
In other news, a substantial plagiarism controversy has emerged in India, centering on singer-composer duo Sachet-Parampara. Accused by US-based producer KMKZ of plagiarizing a YouTube beat for their hit “Ranjhan,” the duo faces charges that have sparked a complex legal battle. Claiming to have provided original scores to major streaming platforms, Sachet-Parampara maintains their innocence, though digital service providers have yet to comment. Meanwhile, Gabb Music, a kid-friendly streaming platform, is gaining traction beyond its initial constraints. Originally accessible only on Gabb Wireless phones, it’s now available on all iOS and Android devices. With two subscription tiers, Gabb Music is designed to filter out inappropriate content, aiming to provide a safe listening environment for younger audiences. The expansion indicates a significant shift in addressing the untapped market for child-centric music streaming, offering both curated content and on-demand options.
SONGLENS champions such innovations within the music industry, revealing the nuanced dynamics of ticketing, intellectual property, and streaming adaptations. Through reflective and curated insights, SONGLENS aims to uphold its mission of fostering independent music discovery and cultural relevance.
